Brian Sandford

Brian Sandford

One of the first things I learned in this job is that I鈥檓 not just writing about art; I鈥檓 writing about life, reflected through art.

Writing in June about Amidst Cries from the Rubble: Art of Loss and Resilience from Ukraine, an exhibition running through April 2025 at the Museum of International Folk Art, is a great example. It features art pulled from the battlefield in Ukraine, fashioned from implements of war such as bullet casings and ammunition boxes.

Amidst Cries from the Rubble brought Ukraine to 疯客直播 Fe鈥檚 doorstep not just through its subject matter, but via visits from three featured artists 鈥 two of whom still live in Ukraine. I wasn鈥檛 able to make it when Yaroslava Tkachuk and Serhii Polubotko attended an opening ceremony, but I had the good fortune to attend both a private dinner and a public speech and Q&A by Marta Syrko in mid-September. She spoke about the realities of living in a home with a wooden ceiling in Lviv, Ukraine, near where a missile had just landed and knowing she鈥檇 have little chance of survival if one were to fall on her home.

Marta Syrko-0032.jpg

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